And now the search for serenity begins,
Awakened from a life long slumber,
Awakened in the aftermath of apocalypse,
And now humanity is gone.
All that's left is just rubble and ash,
Scavengers syphon through lifeless bodies lining the streets,
Searching for a bit of comfort,
And now the sky is fucking black,
From the constant burning and smog,
Inhale the carcinogenic air and wait to die.
As the acid rain washes away the skin,
The ground begins to shake,
And now there's no recovery from this one,
The entire fucking world has become our wasteland,
As the ground rains down from the sky,
And the world becomes covered in ash,
There will be nowhere left to hide,
As the world implodes itself.
And now we've sewn the seeds to our failure,
This planet we've raped is now ruined,
And we're forced to suffer the consequence of greed,
In the wake of a worldwide nuclear cock war,
This is not revelation,
So there's no hope for your salvation,
We are but a dying breed,
On the brink of extinction,
This is not Revelation,
No hope for your salvation,
And when the world ends,
And we've all begun to mutate,
And when the world ends,
And we've all begun to mutate,
There will be
A single hope for humanity.
I embrace the thought of apocalypse,
In hope to be there as your world collapses,
I'd like to watch as your world collapses,
I will die with a smile on my face,
As I watch you all fucking suffer,
As the sun finally sets,
On our worthless existence.
Screw a long boring story about how we met or what we're trying to accomplish. Let's get stupid and fuck shit up! We're from
the streets of C-town, Conneaut not Cleveland, so you know we bring it hard as hell. Just remember, breakdowns suck...fucking hit someone!...more
supported by 9 fans who also own “Homeless Face Buffet”
Symphonic stuff in metal doesn’t make its way into my collection aside from a couple of early Cradle albums. The orch here though just ads to how huge this band sounds. It makes elements in the songs more immersive. There are plenty of breaks from orchestration where its in deathcore/slamming brutality mode. While not ignorant, the songs never play with time or get mathy making it accessible and memorable. Came out 2015? Impressed. Mitch Mitcherson